
Book · Author
Mad Movies with the L.A. Connection
The history of the L.A. Connection and its mock-dubbed late-night TV show. BearManor Media.
Filed under: ongoing work
Books, criticism, commentaries, podcasts, and screenplays from a Detroit writer and researcher who digs into overlooked films, artists, and cultural stories, and keeps the receipts.
See selected work Start with the podcast
Author of three books · Host of The Projection Booth · Audio commentaries for Arrow Video, Second Run and more

Book · Author
The history of the L.A. Connection and its mock-dubbed late-night TV show. BearManor Media.

Podcast · Host, producer, editor
Film criticism and original interviews with directors, writers, actors, and craftspeople, on the air since 2011.
Blu-ray commentary · Commentator
Audio commentary on the Arrow Video release, one of the commentaries Mike has recorded for Arrow, Second Run, Vinegar Syndrome, Severin and others.
Also in print: Cinema Detours and Impossibly Funky. All books and contributions · All 27 commentaries
Book · Cultural history
A biography of the country singer behind some of America’s strangest, saddest truck-driving songs.
Research · primary-source verification
Book · Film history
The movies Richard Brautigan tried—and failed—to get made.
Drafting · advanced archival research
Book · Film history
A history of the films that almost brought Moorcock’s hero to the screen.
Proposal · 12-chapter outline drafted
Fiction · Novel
A nested psychological novel about screens, stories, and a man named Terry.
Drafting · novel

Weirding Way Media
Home of The Projection Booth and a network of shows devoted to Columbo, Bond, Chevy Chase, Harrison Ford, Barney Miller, and all the strange roads in between.
Special Report: Double Trouble (2026)
Episode notes & transcript (opens in a new tab) · All Weirding Way Media shows (opens in a new tab)
Mike White is a full-time writer, podcaster, and film scholar specializing in neglected, misread, and sometimes never-made cinema. His work moves between university archives, recording studios, screenplay drafts, and the stubborn belief that every odd cultural artifact deserves a proper hearing.