
Book · Author
Mad Movies with the L.A. Connection
The history of the L.A. Connection and its mock-dubbed late-night TV show. BearManor Media.
Filed under: ongoing work
Books, criticism, commentaries, podcasts, and screenplays from a Detroit writer and researcher who digs into overlooked films, artists, and cultural stories, and keeps the receipts.
See selected work Start with the podcast Commission an essay or commentary
Author of three books · Host of The Projection Booth · Audio commentaries for Arrow Video, Second Run and more

Book · Author
The history of the L.A. Connection and its mock-dubbed late-night TV show. BearManor Media.

Podcast · Host, producer, editor
Film criticism and original interviews with directors, writers, actors, and craftspeople, on the air since 2011.
Blu-ray commentary · Commentator
Audio commentary on the Arrow Video release, one of the commentaries Mike has recorded for Arrow, Second Run, Vinegar Syndrome, Severin and others.
Also in print: Cinema Detours and Impossibly Funky. All books and contributions · All 27 commentaries
Book · Cultural history
A biography of the country singer behind some of America’s strangest, saddest truck-driving songs.
Research · primary-source verification
Book · Film history
The movies Richard Brautigan tried—and failed—to get made.
Drafting · advanced archival research
Book · Film history
A history of the films that almost brought Moorcock’s hero to the screen.
Proposal · 12-chapter outline drafted
Fiction · Novel
A nested psychological novel about screens, stories, and a man named Terry.
Drafting · novel

Weirding Way Media
Home of The Projection Booth and a network of shows devoted to Columbo, Bond, Chevy Chase, Harrison Ford, Barney Miller, and all the strange roads in between.
Special Report: Double Trouble (2026)
Episode page (opens in a new tab) · All Weirding Way Media shows (opens in a new tab)
Mike White is a full-time writer, podcaster, and film scholar specializing in neglected, misread, and sometimes never-made cinema. His work moves between university archives, recording studios, screenplay drafts, and the stubborn belief that every odd cultural artifact deserves a proper hearing.